A future performance as music director at UWG is Twenty Four (opera). He was recently awarded for excellence in music direction from the Kennedy Center American College Theatre Festival for Songs for a New World. Credits include Aladdin, Cendrillon, Evil Dead, Die Fledermaus, A Funny Thing Happened on the Way to the Forum, Godspell, Gospel at Colonus, Heathers, Little Women (musical), Meanwhile Back at Cinderella’s Songs for a New World, and Speed Dating Tonight. John has music directed musicals and operas across the east coast. While some of his former students currently excel at singing pop, gospel, R&B, music theater, and classical genres, other previous students have participated as apprentices at Horizon Theatre Company and Atlanta’s Black Nativity. John’s students have regularly earned high marks in both the classical and music theatre categories in student auditions of NATS. Currently, he is the tenor soloist and cantor at the Cathedral of Christ the King in Atlanta.
Additionally, he has performed as tenor soloist for Handel’s Messiah and Saint-Saen’s Christmas Oratorio, as well as presented Bach’s Weihnachtsoratorium (Christmas Oratorio) with the North Carolina Symphony. He has been the tenor soloist in Rachmaninoff’s Vespers with the Michael O’Neal Singers, Sesto in Mozart’s La clemenza di Tito, Sellum in Stravinsky’s Rakes Progress, and the witch in Humperdinck’s Handel and Gretel. Originally from Raleigh, North Carolina, John Elson Williams is currently on faculty at the University of West Georgia where he is an instructor of voice and the music director of music theatre and opera theater.
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